At exactly midnight, Wu-Tang Clan members Method Man,
Ghostface Killah, Raekwon and affiliate Street Life blazed the stage to wish
everyone at Cervantes Masterpiece Ballroom a very happy Wu Years. Despite all
the members being over 40 as Method Man emphasized, they were vibrant and
rocked the venue for almost two hours.
Method Man is categorized as being the greatest hip hop
performer in history, among Redman and Busta Rhymes and he proved why last
night. Crowd surfing, joining the mosh pit, spitting his verses on top of
stereos, performing actually really dope old school dance moves and possessing
a stage presence that was so natural and charming, he shined bright and his
brothers Ghostface and Rae who are much more reserved, were happy to support
him as a true team does. Although very sweetly and boy band like, the members
including Street Life did a two-step in unison as soon as “Reunited” came on.
Their DJ, Allah Mathematics, in classic hip hop form, did a
whole DJ set dedicated to the late and great Jam Master Jay who was
Run-D.M.C.’s DJ as well as one of the most respected DJ’s in history.
Scratching records with his nose, with his hands behind his back and doing other
incredible tricks while simultaneously creating a dope beat, the whole set
reminded me of the scene in Juice
during the DJ competition, back when DJing was an art form and a founding
principle in hip hop.
Wu-Tang was so gracious of the sold out crowd that number
one they chose to spend their New Years with Wu and also that they chose to spend
the first day of marijuana being officially legal in Colorado. Because of the
special occasion, Method Man introduced a new concept: the DJ would play any
random song from the Wu-Tang repertoire and based on the crowd’s reaction, they
would decide whether to perform that track or not. Of course, “C.R.E.A.M.” and
“Wu-Tang Clan Ain’t Nothing Ta F’ Wit’” got unanimous cheer.
Highlights of the evening were the Ol’ Dirty Bastard tribute,
“dedicated to our brother and yours” as Meth articulated and Ghostface sought
an audience member who could spit ODB’s verse in “Protect Ya Neck.” Countless
people hopped on the stage only to second guess themselves and be dismissed,
before finally, after about five people in, a completely wasted older man
demolished the verse and the rest of the clan could perform the classic.
The sound at times was distorted and they kept having to ask
for the mics to be turned up, but nonetheless the show was incredible. To say
the venue was turned up would be an understatement. Legendary hip hop
performers, New Year’s Eve, belligerently wasted hip hop heads and an abundance
of weed had Cervantes on another level. In a music era where hip hop groups are
lacking, it was nostalgic to see Wu-Tang Clan twenty years later still bonded
and still doing performances. The aspect of family between them was crystal
clear as their transitions were seamless and whether it was a quick mic swap or
taking on the role as the hype man/ad-libber during someone else’s verse, they
supported each other every step of the way. Wu Year’s Eve was the perfect way to
bring in 2014, providing hip hop history while preparing us for a whole new
year of music.
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